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Playing for Time

  • Bob Stuckey - piano

  • Tony Coe - saxophone, clarinet

  • Tony Barnard - guitar

  • Geoff Gascoyne - double bass

  • Andy Cleyndert - double bass

  • Ian Thomas - drums

Sample Tracks

1. Cheek To Cheek 5.57 (Berlin)

2. Didn't Know What Time It Was 5.11 (Rodgers/Hart)

3. Smile 5.10 (Parsons/Turner/Chaplin)

4. Song For Grace 4.35 (G. Harkell)

5. Granny Granny Please Comb My Hair 3.54 (G. Harkell/G. Nichols)

6. Put The Sun In The Cupboard 3.25 (Gina Harkell)

7. Fisherman Chant 6.26 (G. Harkell/J. Agard)

8. If It Ain't Easy, It Ain't Right 2.41 (G. Harkell)

9. Somewhere Over The Rainbow 3.54 (Arlen/Harburg)

10. Never Say Die 3.38 (L. Parker/G. Harkell)

11. What Makes You Think You Can Change The World 5.06 (G. Harkell)

The combination of Gina Harkell’s highly expressive voice and her evident concern to bring out the nuances of lyrics, make compelling listening indeed, and the experience is enhanced by the nicely judged contributions of Bob Stuckey on piano, Tony Barnard on guitar, Geoff Gascoyne and Andy Cleyndert on bass and Ian Thomas on drums. And on four tracks there’s the added magic of Tony Coe on soprano or clarinet.
— Pete Martin - Jazz UK, Sept 1999
Her clear open voice and unaffected delivery make Gina Harkell something of a rarity among current jazz vocalists. The choice of material is fascinating, with her own compositions acting as ironic commentary on a series of well-known standards. The accompanying band, featuring the clarinet of Tony Coe, is superb.
— Dave Gelly - The Observer, Sept 1999
This is Harkell’s second album and it has been an unjustifiably long wait and I am delighted the waiting is over. Harkell’s voice is coolly poised, her articulation immaculate as she delivers winning accounts of the standards. Of the original material, two are musical settings by Harkell of poems (Granny and Fisherman), the other four having words and music by the singer herself. The quality of these raises by a few notches the already good impressions created by the first three songs on the album. Add to this the superior instrumental playing by all and the result is a CD that really is very good indeed.
— Bruce Crouther - Jazz Journal, Nov 1999